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Music and Dance

     Armenian music indeed has a rich and deep history that spans centuries. It encompasses unique genres such as hymns, cantos, ashugh music, as well as folk and classical music. Gusans and ashughs were central figures in Armenian musical culture, particularly in royal households and palaces. These singers played a key role in passing songs and storytelling down from one generation to the next. In the 17th and 18th centuries, some of the most remarkable ashughs, or Armenian troubadours, included Naghash Hovnatan, Baghdasar Dpir, and Sayat-Nova.

     Starting in the 1880s, professional composers began to collect and process old folk songs. Notable figures of this period included Yekmalian Makar, Christopher Kara-Murza, and Nicolas Tigranyan. It was also during this time that Komitas, one of the most famous figures in the history of Armenian music, began his work. Komitas is credited with creating the "khazes" system, an Armenian form of musical notation. He collected over 4,000 rural songs and authored numerous religious and national compositions. His contributions are monumental, although his mental health was severely affected by the trauma he experienced during the 1915 Armenian Genocide within the Ottoman Empire.

     The 19th century marked a pivotal era in Armenian music, with Tigran Tchoukhajian composing the first Armenian opera, Arshak II, in 1868. Later, in 1912, Armen Tigranyan’s opera Anoush, based on the poem by Hovhannes Tumanyan, brought a new wave of Armenian music to the opera stage, blending classical traditions with Armenian folk melodies and themes.

      Aram Khachaturian stands as one of the greatest composers of the 20th century, whose global fame is largely due to his ballets Gayane (especially the famous "Sabre Dance") and Spartacus. These works have become iconic in the world of classical music, gaining recognition far beyond Armenia.

     Jivan Gasparyan, the virtuoso of the Armenian duduk, has played a crucial role in introducing the unique sound of this ancient instrument to audiences around the globe. Collaborating with world-renowned musicians such as Peter Gabriel and the Kronos Quartet, Gasparyan has significantly expanded the reach of Armenian music worldwide. In addition to the duduk, other important Armenian musical instruments include the zurna (a double-reed woodwind), the dhol (a type of drum), and the kanon (a traditional stringed instrument).

    Armenian dance, particularly when accompanied by traditional or contemporary music, is one of the most vibrant expressions of Armenian culture. Known for its graceful movements that can sometimes be fast-paced or frantic, Armenian dance is distinct from other oriental dance forms. The energy and passion of Armenian dance performances are celebrated internationally, with Armenian dance ensembles winning numerous awards at global festivals and competitions.

     Armenian music, with its diverse and enduring styles, continues to hold a central place in Armenian culture and contributes significantly to the global musical landscape. Whether through its classical composers, its ancient instruments, or its captivating dance forms, Armenian music remains a powerful cultural force that connects people across generations and borders.